Phoonk 2

Phoonk 2

Hindi movie Phoonk 2 is available to download online for free. All the parts and/or mirrors are listed below. Download and watch Phoonk 2 online absolutely free. Phoonk 2 is directed by Milind Gadagkar and the music was composed by Unknown. The funding of this movie is made possible by the producer P Chandrashekhar. Furthermore, Phoonk 2 has the following stars: Sudeep, Amruta Khanvilkar, Ahsaas Channa, Neeru Singh, Anu Ansari, Ashwini Kalsekar, Ganesh Yadav, Zakir Hussain, Vikas Srivastav, Jeeva, Amit Sadh, Rahul Pendkalkar.
Music: Unknown
Director: Milind Gadagkar
Producer: P Chandrashekhar
Cast: Sudeep, Amruta Khanvilkar, Ahsaas Channa, Neeru Singh, Anu Ansari, Ashwini Kalsekar, Ganesh Yadav, Zakir Hussain, Vikas Srivastav, Jeeva, Amit Sadh, Rahul Pendkalkar
Views: 224
Watch Online Phoonk 2 for Free
Watch Phoonk 2 online. Watch Phoonk 2 parts online for free. Each group of parts for Phoonk 2 belongs to one mirror. If a link isn't working, please select a part from the next group (mirror).
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Phoonk 2 Movie Review
Phoonk ends with the killing of Madhu [Ashwini Kalsekar], the woman who casts a black magic spell on Rajiv's [Sudeep] daughter Raksha [Ahsaas Channa]. Phoonk 2 begins with Madhu's ghost returning from the grave to seek revenge on the family.
Rajiv moves with his family to a new place. Raksha and her brother Rohan begin exploring the new place and the surroundings -- the lonely beach and then the woods behind the house. The terror begins with Raksha and Rohan finding a doll in the woods and then it progresses to a series of highly traumatizing experiences for the whole family.
Manja [Zakir Hussain], the only man whom Rajiv could turn to, meets a gruesome death at the hands of Madhu's ghost. Madhu seeks revenge on Rajiv by torturing his loved ones -- his wife Aarti [Amruta Khanvilkar] and their children, Raksha and Rohan -- in unimaginably cruel ways.
Debutante director Milind Gadagkar uses every trick in the book to make Phoonk 2 work - night shots, secluded bungalow, eerie silence, captivating sound design and zany camera angles. Gadagkar does everything right, but conveniently forgets that any film, irrespective of its genre, works if the story is captivating and moves constantly. In this case, the story just doesn't move in the first hour, except towards the interval point.